{"id":3193,"date":"2021-04-05T13:03:49","date_gmt":"2021-04-05T13:03:49","guid":{"rendered":"https:\/\/new-blog.artlist.io\/?p=3193"},"modified":"2023-05-23T07:30:25","modified_gmt":"2023-05-23T07:30:25","slug":"fargo-deceptive-simplicity-analysis","status":"publish","type":"post","link":"https:\/\/new-blog.artlist.io\/blog\/fargo-deceptive-simplicity-analysis\/","title":{"rendered":"A Look at the Deceptive Simplicity of Fargo on its 25th Anniversary"},"content":{"rendered":"<p>As Coen Brothers\u2019 Fargo turns 25, let\u2019s take a look at some of the elements that make this dark crime comedy so memorable and how its cleverness lies in its deceptive simplicity.<a href="\&quot;https:\/\/youtu.be\/su8LDtmRmw8?t=129\&quot;"><br \/>\n<\/a><\/p>\n<p>The \u201cso-called true\u201d story follows car salesman Jerry Lundegaard from Minnesota (William H. Macy), who hires 2 mercenaries (Steve Buscemi and Peter Stormare) to kidnap his wife, planning to get his hands on the ransom her wealthy father would pay to free her. Needless to say, things don\u2019t work out as planned, as the very pregnant sheriff Marge Gunderson (Frances McDormand, who won the Academy Award for Best Actress) investigates the crime.<a href="\&quot;https:\/\/youtu.be\/su8LDtmRmw8?t=129\&quot;"><br \/>\n<\/a><\/p>\n<h2>Not a true story<\/h2>\n<p>Like the entire film, the story has a deceptive simplicity to it, and the deception is right there at the beginning when the \u201cThis Is a True Story\u201d caption comes up and stays that much too long to become questionable. And in actuality, the film is not based on one real event that happened in Minnesota in 1987; it\u2019s more of an assortment of various factual events expertly blended into one narrative.<a href="\&quot;https:\/\/youtu.be\/su8LDtmRmw8?t=129\&quot;"><br \/>\n<\/a><\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=XI_4wvBHkrw\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/XI_4wvBHkrw?feature=oembed\" width=\"512\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Even the film\u2019s title is deceptive, as almost the entire movie takes place in Minnesota, Fargo merely serving as the first meeting point between Jerry and his mercenaries.<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<p>The opening scene sets the film\u2019s mood and pace. The black screen turns completely white, slowly revealing a car driving on a heavily snowy road accompanied by a haunting and dramatic musical theme based on a Norwegian folk song. That sets off the snowy, nordic and lyrical vibe while also adding an ominous and dramatic feel.<\/p>\n<p>\t\t<div data-elementor-type=\"section\" data-elementor-id=\"186\" class=\"elementor elementor-186\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6940b6 elementor-section-full_width cta-middle external elementor-section-height-default elementor-section-height-default\" data-id=\"b6940b6\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ae3297b\" data-id=\"ae3297b\" data-element_type=\"column\" 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29.6823 8.71403 30.0892 8.71403C30.4424 8.71403 30.7188 8.64493 30.9261 8.51441C31.1257 8.39157 31.2409 8.17659 31.2332 7.94626C31.2409 7.70825 31.095 7.49328 30.88 7.40114C30.5038 7.23991 30.1123 7.10939 29.713 7.0019C29.26 6.87906 28.8762 6.76389 28.5614 6.64873C28.285 6.55659 28.0316 6.42607 27.7936 6.25716C27.6093 6.12664 27.4635 5.95773 27.3713 5.75044C27.2792 5.53546 27.2331 5.30513 27.2408 5.06712C27.2331 4.73698 27.3022 4.41451 27.4481 4.11508C27.5863 3.83869 27.7782 3.58532 28.0239 3.39338C28.285 3.18608 28.5767 3.03253 28.8915 2.93272C29.237 2.82523 29.6055 2.77148 29.9664 2.77148C30.4578 2.77148 30.9568 2.84058 31.4252 2.99414C31.8858 3.14769 32.3158 3.39338 32.6766 3.72352L31.9626 4.7984C31.6478 4.56039 31.3023 4.36077 30.9338 4.21489C30.619 4.09205 30.2889 4.03063 29.951 4.03063C29.69 4.02295 29.429 4.08437 29.1986 4.21489C28.999 4.33774 28.8915 4.53736 28.8915 4.81375C28.8838 4.92124 28.9145 5.02873 28.9683 5.12086C29.0297 5.213 29.1065 5.2821 29.1986 5.33584C29.3291 5.41262 29.4673 5.46636 29.6132 5.51243C29.7821 5.56617 29.9971 5.62759 30.2581 5.68901C30.7342 5.81186 31.1411 5.9347 31.4789 6.05754C31.7783 6.15735 32.0547 6.30323 32.3158 6.47982C32.5154 6.61802 32.6766 6.80996 32.7918 7.03261C32.8993 7.26294 32.953 7.52399 32.9453 7.77735C32.9453 8.45299 32.692 8.99043 32.1929 9.38199C31.6708 9.78891 30.9952 9.98085 30.1276 9.98085Z\" fill=\"#FFDA2A\"><\/path><path d=\"M38.0812 9.48966C37.7971 9.6125 37.5053 9.71999 37.2059 9.80445C36.8527 9.91193 36.4919 9.96568 36.1233 9.96568C35.8853 9.96568 35.655 9.93497 35.4323 9.87354C35.225 9.8198 35.0331 9.71231 34.8642 9.57411C34.6953 9.42824 34.5647 9.25165 34.4726 9.04435C34.3651 8.79867 34.3191 8.52995 34.3267 8.26123V4.27649H33.4131V2.91754H34.3267V0.667969H36.1003V2.91754H37.5591V4.27649H36.1003V7.66236C36.1003 7.90805 36.1617 8.08464 36.2922 8.18445C36.4228 8.29194 36.5917 8.34568 36.7606 8.338C36.9448 8.338 37.1291 8.30729 37.3057 8.24587C37.4823 8.18445 37.6205 8.1307 37.728 8.08464L38.0812 9.48966Z\" fill=\"#FFDA2A\"><\/path><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M3.43194 1.08203H5.20549L8.62975 8.48334V9.85765C7.24776 9.91907 5.80435 9.94979 4.31487 9.94979C2.8254 9.94979 1.38199 9.91907 0 9.85765V8.48334L3.43194 1.08203ZM1.90407 8.39121C2.71023 8.41424 3.51639 8.42192 4.31487 8.42192C5.12103 8.42192 5.92719 8.40657 6.72567 8.39121L4.31487 3.18572L1.90407 8.39121Z\" fill=\"#FFDA2A\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-509c078 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"509c078\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-b63c6db\" data-id=\"b63c6db\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-88ef02d elementor-widget elementor-widget-heading\" data-id=\"88ef02d\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Get unlimited royalty-free 4K footage<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-90a8615\" data-id=\"90a8615\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-476808b elementor-mobile-align-justify elementor-align-justify elementor-widget__width-initial external-link-event event-midpage-startfree elementor-widget-tablet__width-initial elementor-widget elementor-widget-button\" data-id=\"476808b\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/artlist.io\/start-now\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Start  Free Now<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1816319 elementor-mobile-align-justify elementor-align-justify elementor-widget__width-initial external-link-event event-midpage-pricing elementor-widget-mobile__width-initial elementor-widget elementor-widget-button\" data-id=\"1816319\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/artlist.io\/page\/pricing\/max\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Pricing<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<h2>Shot selection &amp; framing<\/h2>\n<p>While the camera work is pretty basic and static throughout the film, DP\u00a0<a href=\"https:\/\/www.imdb.com\/name\/nm0005683\/?ref_=ttfc_fc_cr8\" target=\"_blank\" rel=\"noopener\" data-anchor=\"?ref_=ttfc_fc_cr8\">Roger Deakins<\/a>&#8216; masterful shot selection is highly evocative, deepening the viewer\u2019s understanding of the characters\u2019 relationships.<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<p>For example, in scene #2, when Jerry talks to the mercenaries, he\u2019s filmed in a near\u00a0<a href=\"https:\/\/new-blog.artlist.io\/blog\/the-power-of-the-close-up-shot-why-when-and-how-to-use-it\/\" target=\"_blank\" rel=\"noopener\">close-up<\/a>\u00a0while Buscemi and Stormare are shot from more of a distance. This gives them a position of power over Jerry, as we see every nervous expression of the poor little guy.<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=hHQDc3YQw4w\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/hHQDc3YQw4w?feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Another place where the shot selection is impactful is in the 2nd meeting between Marge and Jerry. When the sheriff questions Jerry about the number of cars in his lot, he grows more and more nervous. Jerry is shot in close-up, setting his inferiority to Marge, who is seen from over the shoulder. The acting in the film is truly superb.<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=nj4CjsbuTWQ\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/nj4CjsbuTWQ?feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>On the flip side, the Coen brothers use the long shot and extreme long-shot to show Jerry\u2019s insignificance, cement his loser status and convey the feeling of loneliness and alienation.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/su8LDtmRmw8?start=129&amp;feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>In the 3rd scene, the close-up shot is used the other way around, with Jerry shot in the background, blurred, while his powerful and aggressively tense father-in-law watches a hockey game, shot at a low angle close-up. This establishes Jerry\u2019s inferiority and insignificance to his father-in-law and corroborates what Jerry told the mercenaries in the scene prior to that.<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=qsoUsTczfOk\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/qsoUsTczfOk?feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>While the story is supposedly about Jerry\u2019s crime gone awry, Marge is the film\u2019s heart and soul. She is as straightforward as they come, simple, amiable and loving. The Coen brothers establish Marge as the hero and moral center of the film by making her the only character with a meaningful human connection. In every scene of Marge with her husband, Norm Son-of-a-Gunderson, they are always shot together when they talk to each other, while in everyone else\u2019s dialogues, each character is shot separately.<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<p>Here is a conversation in the car between the 2 hired goons:<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=bbpQmRxCYUU\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/bbpQmRxCYUU?feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>And here is a supercut that shows Marge and Norm\u2019s love story. Notice that you always see them together:<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=jAlju8fjnvs\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/jAlju8fjnvs?feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Taking things to the comically extreme, Marge\u2019s advanced pregnancy gives her near-sainthood as a giver of innocent life surrounded by deception, crime and death.<a href=\"https:\/\/youtu.be\/su8LDtmRmw8?t=129\"><br \/>\n<\/a><\/p>\n<h2>That\u2019s a wrap<\/h2>\n<p>You don\u2019t need fancy\u00a0<a href=\"https:\/\/new-blog.artlist.io\/blog\/camera-movements\/\" target=\"_blank\" rel=\"noopener\">camera movement<\/a>\u00a0to create an impactful film or video. Careful shot selection and composition can go a long way in adding depth and enhancing your film\u2019s impact on the audience. Until next time, stay creative!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As Coen Brothers\u2019 Fargo turns 25, let\u2019s take a look at some of the elements that make this dark crime comedy so memorable and how its cleverness lies in its deceptive simplicity.<\/p>\n","protected":false},"author":4,"featured_media":3197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[85,251],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Analyzing Fargo the Movie for its 25th Anniversary | Artlist<\/title>\n<meta name=\"description\" content=\"See how the Coen brothers used careful shot selection, precise framing and composition to make Fargo an impactful and memorable crime comedy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/new-blog.artlist.io\/fargo-deceptive-simplicity-analysis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Analyzing Fargo the Movie for its 25th Anniversary | Artlist\" \/>\n<meta property=\"og:description\" content=\"See how the Coen brothers used careful shot selection, precise framing and composition to make Fargo an impactful and memorable crime comedy.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/new-blog.artlist.io\/fargo-deceptive-simplicity-analysis\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist Blog\" \/>\n<meta property=\"article:published_time\" content=\"2021-04-05T13:03:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-23T07:30:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2021\/04\/c4d3276fca6180d0e2bc9d5ece6af9671069b3ba.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"750\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Artlist\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Artlist\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/new-blog.artlist.io\/fargo-deceptive-simplicity-analysis\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/fargo-deceptive-simplicity-analysis\/\"},\"author\":{\"name\":\"Artlist\",\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/#\/schema\/person\/942f411e584fce075c068967aebf4681\"},\"headline\":\"A Look at the Deceptive Simplicity of Fargo on its 25th Anniversary\",\"datePublished\":\"2021-04-05T13:03:49+00:00\",\"dateModified\":\"2023-05-23T07:30:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/fargo-deceptive-simplicity-analysis\/\"},\"wordCount\":704,\"publisher\":{\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/#organization\"},\"keywords\":[\"Film Anniversary\",\"shot types\"],\"articleSection\":[\"Production &amp; 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