{"id":4286,"date":"2021-01-21T14:21:52","date_gmt":"2021-01-21T14:21:52","guid":{"rendered":"https:\/\/new-blog.artlist.io\/?p=4286"},"modified":"2025-06-25T13:00:30","modified_gmt":"2025-06-25T13:00:30","slug":"video-editing","status":"publish","type":"post","link":"https:\/\/new-blog.artlist.io\/blog\/video-editing\/","title":{"rendered":"Video Editing and Getting to the Essence of the Cut"},"content":{"rendered":"<p>Did you ever stop to think about all the filmmaking terms we use nowadays that harken back to the good ol\u2019 days when \u201cfilms\u201d were actually shot on film? (Uh, wait. They\u2019re\u00a0<em>still<\/em>\u00a0shot on film. Back when they were\u00a0<em>only<\/em>\u00a0cut on film?) Terms like\u2026<\/p>\n<ul>\n<li aria-level=\"1\">\u201cReel\u201d \u2013 as in \u201cdemo reel\u201d today, but originally an actual reel of film.<\/li>\n<li aria-level=\"1\">\u201cFootage\u201d \u2013 how long in feet the film reel was.<\/li>\n<li aria-level=\"1\">\u201c<a href="\&quot;https:\/\/artlist.io\/blog\/shooting-b-roll-footage\/\&quot;" target=\"_blank\" rel=\"noopener\">B-roll<\/a>\u201d \u2013 an actual roll of film edited together that was footage secondary to the primary footage (A-roll). B-roll nowadays refers to the footage you see playing over some other dialog or voiceover. The most common place you see it is in news programs (e.g., shots of a crime scene while you hear the reporter talking about it).\u00a0<a href="\&quot;https:\/\/artlist.io\/stock-footage\&quot;">Beautiful stock footage<\/a>\u00a0can make great B-roll, and if you master the art of\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/how-to-use-stock-footage-when-editing-videos\/\&quot;" target=\"_blank\" rel=\"noopener\">editing stock footage into your video<\/a>, it will improve your video&#8217;s quality.<\/li>\n<li aria-level=\"1\">\u201cClips\u201d \u2013 physical clippings cut from film reels that were to be spliced together in the editing room.<\/li>\n<li aria-level=\"1\">\u201cBins\u201d \u2013 the section in traditional\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/the-best-editing-software-for-youtube-creators-beginner-to-pro\/\&quot;" target=\"_blank\" rel=\"noopener\">NLE software<\/a>\u00a0like Adobe Premiere where video clips are held. Originally, film clips were hung in bins during the\u00a0<a href="\&quot;https:\/\/artgrid.io\/insights\/post-production-workflow\/\&quot;" target=\"_blank\" rel=\"noopener\">editing process<\/a>. (Final Cut Pro X abandoned \u201cbins\u201d in favor of \u201ckeywords\u201d back in 2011.)<\/li>\n<li aria-level=\"1\">\u201cCutting\u201d \u2013 a nickname for \u201cediting\u201d that originated because film used to be edited by physically cutting a \u201cworkprint\u201d into clips, then re-arranging and splicing them together.<\/li>\n<\/ul>\n<p>It\u2019s that last term, cutting, that I want to talk about today. There\u2019s another reason it\u2019s called \u201ccutting.\u201d And a good editor knows what it is.<\/p>\n<h2>Getting to the essence of the edit<\/h2>\n<p>In an article about the power of video, I recently read that the average attention span of a person nowadays is just 8 seconds (that\u2019s one second less than the attention span of a goldfish). That means when a person comes to a website, you have (on average) just 8 seconds to capture their attention. For those of you who are producing web videos for clients, you need to be aware of this fact. This is true for whatever content you\u2019re creating, whether for yourself or for YouTube, where attention span is not only short but also challenged by dozens of other videos clamoring to reclaim it.<\/p>\n<p>I\u2019ve always felt that a shorter video is generally more effective than a longer one. Why take 4 minutes to say that which can be effectively communicated in 2 minutes? Just so you can show more pretty shots? You run the risk of losing your audience before the video is finished.<\/p>\n<p>I watched a promo video that was literally twice as long as it needed to be, and it felt like it dragged (the promo, not the event for which the promo was made).<\/p>\n<p>One of the hardest things for a newbie film editor to do is cut their film down. Especially if they were the director too (which is most often the case among YouTubers, small business filmmakers and videographers). There are all those cool shots you just can\u2019t stand to leave on the proverbial \u201ccutting room floor,\u201d so you keep them in. Or you have all these wonderful soundbites that are just too good not to put in the video, so you keep them all. But if you want to grow as a storyteller in this medium, one of the most important things you need to learn is the discipline of cutting out anything and everything that is not absolutely needed to contribute to the story (or communicate the message if it\u2019s a commercial production).<\/p>\n<h2>There\u2019s a reason they call it \u201ccutting\u201d<\/h2>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-4290 size-full\" src="\&quot;https:\/\/artlist.io\/blog\/wp-content\/uploads\/2021\/01\/b225271f06113c4a722cf32d4cfea6467530c58d.jpg\&quot;" alt=\"697\" width=\"697\" height=\"406\" srcset=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2021\/01\/b225271f06113c4a722cf32d4cfea6467530c58d.jpg 697w, https:\ \ new-blog.artlist.io\ blog\ wp-content\ uploads\ 2021\ 01\ b225271f06113c4a722cf32d4cfea6467530c58d-300x175.jpg 300w\" sizes=\"(max-width: 697px) 100vw, 697px\" \ /><\/p>\n<p>A good friend of mine, who is an Indie filmmaker, once told me a long time ago when I was just a filmmaking babe, \u201ccut your films down to as short as you possibly can, then once you\u2019ve done that, cut them down some more.\u201d I always keep that advice in the back of my brain when I\u2019m editing a project. I often have to whittle hours of footage down to just a few minutes. That means every shot, every soundbite, needs to be just right. The more \u201cfat\u201d left in a short film, the greater the chance of losing your audience. And in today\u2019s world, with so much competition vying for people\u2019s attention, each second counts.<\/p>\n<p>Here are some tips from my experience.<\/p>\n<ul>\n<li aria-level=\"1\"><strong>Every frame counts<\/strong>: I get so detailed in my cutting that I\u2019ll shave off individual frames from some shots. Keep in mind that for most of my work, there are 24 frames in a second. So I\u2019m literally saving off fractions of a second. But those fractions add up over a 4, 6 or 10-minute film.<\/li>\n<li aria-level=\"1\"><strong>Don\u2019t repeat<\/strong>: for many documentary-style projects (e.g., corporate video, event video, a feature or short film documentary, etc.), you may find yourself interviewing a series of people all talking about the same topic. Inevitably, they will all at some time make a similar or identical point. For the most part, I\u2019ll use the best soundbite from just one of them as it relates to that one point. This is not a hard and fast rule. There may be times when you may want to include a particular aspect that every single person mentioned and string them together to make a stronger point.<\/li>\n<li aria-level=\"1\"><strong>Aim for a specific length<\/strong>: it helps if you have a specific length of time to aim for. For a web promo, 2-2.5 minutes is ideal, with 4 minutes being tops (although, it had better be a very engaging and interesting promo if you\u2019re going to make it 4 minutes long). Most broadcast TV commercials have to be exactly 29.5 seconds. In \u201cHollywood,\u201d studios are always imposing strict run times. If you\u2019re committed to a set time length, that will force you to make the hard choices to cut out what isn\u2019t absolutely needed.<\/li>\n<li aria-level=\"1\"><strong>Save longer versions along the way<\/strong>: in my process of cutting down the videos I edit, I\u2019ll duplicate the sequences I create, then rename them with sequential numbers (e.g., promo pass dump, promo pass 1, promo pass 2, etc.) The \u201cdump\u201d sequence is the very first dump of all the footage and synchronized audio. Each subsequent pass is shorter than the last. If I ever need to go back to get a soundbite or visual I cut out previously, I just open it up and copy and paste the clip I need.<\/li>\n<li aria-level=\"1\"><strong>Be mindful of the message<\/strong>: if you\u2019re creating a commercial piece meant to communicate a message, always keep that message in mind.<\/li>\n<li aria-level=\"1\"><strong>Split it up<\/strong>: sometimes, you can split a video into multiple parts if you feel that the information you have is too important to leave out, but adding it back in will make the piece too long. For some of my promo clients, I will almost always have a complementary shorter video with additional interview footage from their clients. (Note: that\u2019s complimentary with an \u201ce,\u201d not an \u201ci.\u201d) Think of them as \u201cspecial features.\u201d It gives the viewer the option to dive deeper into a specific topic if they want while keeping the main promo short and tight.<\/li>\n<li aria-level=\"1\"><strong>The human eye and ear are amazing<\/strong>: we can actually take in quite a bit of information in a relatively short amount of time. Use that to your advantage. 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9.48966Z\" fill=\"#FFDA2A\"><\/path><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M3.43194 1.08203H5.20549L8.62975 8.48334V9.85765C7.24776 9.91907 5.80435 9.94979 4.31487 9.94979C2.8254 9.94979 1.38199 9.91907 0 9.85765V8.48334L3.43194 1.08203ZM1.90407 8.39121C2.71023 8.41424 3.51639 8.42192 4.31487 8.42192C5.12103 8.42192 5.92719 8.40657 6.72567 8.39121L4.31487 3.18572L1.90407 8.39121Z\" fill=\"#FFDA2A\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-5410e6a elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"5410e6a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-e911f6a\" data-id=\"e911f6a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ca58b0e elementor-widget elementor-widget-heading\" data-id=\"ca58b0e\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Get unlimited high-quality music for your videos<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-c6c061c\" data-id=\"c6c061c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-950f053 elementor-mobile-align-justify elementor-align-justify elementor-widget__width-initial external-link-event event-midpage-startfree elementor-widget-tablet__width-initial elementor-widget-mobile__width-initial elementor-widget elementor-widget-button\" data-id=\"950f053\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href="\&quot;https:\/\/artlist.io\/start-now\/?utm_source=blog&#038;utm_medium=middlebanner\&quot;">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Start  Free Now<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fbb6075 elementor-mobile-align-justify elementor-align-justify elementor-widget__width-initial external-link-event event-midpage-pricing elementor-widget-tablet__width-initial elementor-widget-mobile__width-initial elementor-widget elementor-widget-button\" data-id=\"fbb6075\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href="\&quot;https:\/\/artlist.io\/page\/pricing\/max?utm_source=blog&#038;campaign=getunlimitedhighqualitymusicforyourvideos\&quot;">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Pricing<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/li>\n<\/ul>\n<h2>Delivering a lot of information in little time<\/h2>\n<p>Take a look at this award-winning commercial for the \u201cGot Milk\u201d campaign. It\u2019s only 60 seconds but look at everything you learn about this guy in that time. And pay attention to how quickly the shots go by after he hears the contest question.<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/youtu.be\/OLSsswr6z9Y\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/OLSsswr6z9Y?feature=oembed\" width=\"512\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>In a world where the musical, \u201cHamilton\u201d by Lin Manuel Miranda is a worldwide hit, this commercial is less funny. Part of the comedy in the original commercial was that not very many people would necessarily know that bit of American history. Now I\u2019m sure everyone with access to a computer with an Internet connection knows. Nonetheless, the editing lesson still applies.<\/p>\n<p>So the next time you\u2019re editing a project, play a game. Whatever length you were initially planning to make it, cut it in half. Even if it\u2019s just something you do aside from whatever you submit to a client. Practice cutting your films down, and when they are as short as they can be, cut them some more.<\/p>\n<h2>What a difference the \u201cums\u201d make<\/h2>\n<p>Most of my work primarily consists of B-roll over dialog from interviews. One of the most effective ways to shorten an edit is to get rid of all the ums, pauses and tangential thoughts an interviewee gives. Usually, the more nervous a person is, the more of these they will have. So you want to make them as comfortable and at ease as possible during the interview itself. But even the most eloquent CEO can have several \u201cums,\u201d \u201cuhs&#8221; or other non-essential thoughts. You\u2019d be surprised how much time you can shave off an edit when you painstakingly get rid of all these irrelevant soundbites. Not only can you shave quite a bit of time out, but your subject will be happy you made them sound more intelligent.<\/p>\n<p>illustrate just how dramatic a difference it is when you extract all those \u201cums\u201d from your video, I\u2019ll use a short section of an interview from a promo I shot years ago. During that shoot, I interviewed 7 CEOs of medium to large companies. Here\u2019s an audio excerpt from one of them. This first clip is the raw audio I started with for one section of the interview:<\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/64078561%3Fsecret_token%3Ds-Pizn5&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Now here&#8217;s that section of the interview again, this time with all the extraneous words removed:<\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/64078615%3Fsecret_token%3Ds-VkRnf&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>As you can hear, it still sounds smooth. Just listening to it, you\u2019d never guess she had as many ums and pauses as she did. And as you can see in the lower left-hand part of the player, I took that section from 22 seconds down to 14. That\u2019s over 36%. Imagine doing that throughout an entire edit. If you did, you could easily turn a 4-minute video into a 2.5-minute video. And keep in mind that every frame counts. Two frames here, three frames there, another frame over there\u2026they all add up over the course of the video.<\/p>\n<h2>Gut-wrenching sometimes, but necessary<\/h2>\n<p><img decoding=\"async\" class=\"alignnone wp-image-4291 size-full\" src=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2021\/01\/3ce3574208b0f6e34086aef356069a2c950a2c77.jpg\" alt=\"video editing meme\" width=\"698\" height=\"349\" srcset=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2021\/01\/3ce3574208b0f6e34086aef356069a2c950a2c77.jpg 698w, https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2021\/01\/3ce3574208b0f6e34086aef356069a2c950a2c77-300x150.jpg 300w\" sizes=\"(max-width: 698px) 100vw, 698px\" \/><\/p>\n<p>There will come times when it may be gut-wrenching cutting out what you think is a really cool soundbite. One thing to keep in mind is that the person watching the video has not seen all the footage you\u2019re watching and listening to. So, to them, it does not feel like anything is missing and everything is new. As the editor who has seen all the footage, you\u2019re going to be more attached to it. There is no right or wrong answer to these kinds of decisions. But I think sharing my thought processes may help some of you when you\u2019re in the editing room trying to decide what gets relegated to the proverbial \u201ccutting room floor.\u201d<\/p>\n<p>Just remember that advice my Indie filmmaking friend gave me: when you\u2019ve gone through an edit and cut out everything you think you can, go through it one more time and cut some more.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Did you ever stop to think about all the filmmaking terms we use nowadays that harken back to the good ol\u2019 days when \u201cfilms\u201d were actually shot on film? (Uh, wait. They\u2019re\u00a0still\u00a0shot on film. Back when they were\u00a0only\u00a0cut on film?) Terms like\u2026<\/p>\n","protected":false},"author":10,"featured_media":7107,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[50],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to Master the Art of Video Editing | Artlist<\/title>\n<meta name=\"description\" content=\"Experienced editor Ron Dawson about the essence of video editing, and you need strong will and sharp mind to only use what is necessary to contribute to the story.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/new-blog.artlist.io\/video-editing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to Master the Art of Video Editing | Artlist\" \/>\n<meta property=\"og:description\" content=\"Experienced editor Ron Dawson about the essence of video editing, and you need strong will and sharp mind to only use what is necessary to contribute to the story.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/new-blog.artlist.io\/video-editing\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist Blog\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-21T14:21:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-25T13:00:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2021\/01\/210121-Video-Editing-and-Getting-to-the-Essence-of-the-Cut-Blog-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"538\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ron Dawson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ron Dawson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/new-blog.artlist.io\/video-editing\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/video-editing\/\"},\"author\":{\"name\":\"Ron Dawson\",\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/#\/schema\/person\/2c7b17f9ad6cc7e9f9ec0880c378da1a\"},\"headline\":\"Video Editing and Getting to the Essence of the Cut\",\"datePublished\":\"2021-01-21T14:21:52+00:00\",\"dateModified\":\"2025-06-25T13:00:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/video-editing\/\"},\"wordCount\":1907,\"publisher\":{\"@id\":\"https:\/\/new-blog.artlist.io\/blog\/#organization\"},\"keywords\":[\"Video Editing\"],\"articleSection\":[\"Production &amp; 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(Uh, wait. They\u2019re\u00a0still\u00a0shot on film. Back when they were\u00a0only\u00a0cut on film?) Terms like\u2026","_links":{"self":[{"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/posts\/4286"}],"collection":[{"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/comments?post=4286"}],"version-history":[{"count":3,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/posts\/4286\/revisions"}],"predecessor-version":[{"id":45791,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/posts\/4286\/revisions\/45791"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/media\/7107"}],"wp:attachment":[{"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/media?parent=4286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/categories?post=4286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new-blog.artlist.io\/blog\/wp-json\/wp\/v2\/tags?post=4286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}