{"id":6346,"date":"2022-04-01T08:28:51","date_gmt":"2022-04-01T08:28:51","guid":{"rendered":"https:\/\/new-blog.artlist.io\/?p=6346"},"modified":"2022-06-06T08:20:37","modified_gmt":"2022-06-06T08:20:37","slug":"shot-sizes","status":"publish","type":"post","link":"https:\/\/new-blog.artlist.io\/blog\/shot-sizes\/","title":{"rendered":"An Introduction to the Different Types of Shot Sizes"},"content":{"rendered":"<p>When you\u2019re plotting your movie, documentary or video, the chances are that you won\u2019t want to maintain the same distance and angle between your camera and your subjects for the entire sequence. It wouldn\u2019t be very engaging for your audience, for a start. But more than that, varying your\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/camera-angles\/\&quot;">camera angles<\/a>\u00a0and types of shots is a vital storytelling tool that helps to convey emotional and geographical context. When you shoot from above, below, close-up or far away, you change how your audience relates to and understands your characters and story. Getting to grips with different types of camera shots is an essential building block of your filmmaking knowledge.<\/p>\n<h2>What is a camera shot size?<\/h2>\n<p>The size of your subjects relative to the frame is known as the camera shot size or type, and it\u2019s a critical element of the narrative in filmmaking. Knowing whether you want an extreme long shot or a cowboy shot has a significant impact on your storytelling. Writing them into your\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/how-to-make-a-shot-list\/\&quot;">shot list<\/a>\u00a0will assist with your production and save you time, money and stress.<\/p>\n<p>There are 3 basic types of camera shots:<\/p>\n<ul>\n<li aria-level=\"1\">The close-up &#8211; emphasizing detail and highlights emotion<\/li>\n<li aria-level=\"1\">The medium shot &#8211; balancing character with environment<\/li>\n<li aria-level=\"1\">The long shot &#8211; providing context and a sense of location.<\/li>\n<\/ul>\n<p>Each shot type progressively includes more of your subject within the frame. But you can break down these shots further to give you even more flexibility and creativity.<\/p>\n<p>Your shot size doesn\u2019t automatically determine what type of\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/cinematic-footage-and-the-types-of-camera-lenses-you-should-use\/\&quot;">cinematic lens<\/a>\u00a0you\u2019ll be using, as that\u2019s a different creative decision, but it\u2019s still something to consider. You can read up on\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/wide-angle-lenses\/\&quot;">what a wide-angle lens is<\/a>\u00a0here and which are the\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/best-wide-angle-lenses\/\&quot;">best wide-angle lenses<\/a>\u00a0to see how you might want to use it for a wide shot, but also how they can be used for close-up shots.<\/p>\n\t\t<div data-elementor-type=\"section\" data-elementor-id=\"186\" class=\"elementor elementor-186\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6940b6 elementor-section-full_width cta-middle external elementor-section-height-default elementor-section-height-default\" data-id=\"b6940b6\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ae3297b\" data-id=\"ae3297b\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;gradient&quot;}\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3c76fe4 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"3c76fe4\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"45\" height=\"13\" viewBox=\"0 0 45 13\" fill=\"none\"><path d=\"M13.7128 4.45274C13.2137 4.45274 12.7223 4.56022 12.2694 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8.26123V4.27649H33.4131V2.91754H34.3267V0.667969H36.1003V2.91754H37.5591V4.27649H36.1003V7.66236C36.1003 7.90805 36.1617 8.08464 36.2922 8.18445C36.4228 8.29194 36.5917 8.34568 36.7606 8.338C36.9448 8.338 37.1291 8.30729 37.3057 8.24587C37.4823 8.18445 37.6205 8.1307 37.728 8.08464L38.0812 9.48966Z\" fill=\"#FFDA2A\"><\/path><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M3.43194 1.08203H5.20549L8.62975 8.48334V9.85765C7.24776 9.91907 5.80435 9.94979 4.31487 9.94979C2.8254 9.94979 1.38199 9.91907 0 9.85765V8.48334L3.43194 1.08203ZM1.90407 8.39121C2.71023 8.41424 3.51639 8.42192 4.31487 8.42192C5.12103 8.42192 5.92719 8.40657 6.72567 8.39121L4.31487 3.18572L1.90407 8.39121Z\" fill=\"#FFDA2A\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-509c078 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" 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elementor-inner-column elementor-element elementor-element-90a8615\" data-id=\"90a8615\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-476808b elementor-mobile-align-justify elementor-align-justify elementor-widget__width-initial external-link-event event-midpage-startfree elementor-widget-tablet__width-initial elementor-widget elementor-widget-button\" data-id=\"476808b\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href="\&quot;https:\/\/artlist.io\/start-now\&quot;">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Start  Free Now<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1816319 elementor-mobile-align-justify elementor-align-justify elementor-widget__width-initial external-link-event event-midpage-pricing elementor-widget-mobile__width-initial elementor-widget elementor-widget-button\" data-id=\"1816319\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href="\&quot;https:\/\/artlist.io\/page\/pricing\/max\&quot;">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Pricing<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n<p>We\u2019ve put together a shot list for you, with examples of shot types in film, to show you how to make the most out of them and, therefore, your filmmaking.<\/p>\n<h2>Shot sizes<\/h2>\n<p>This shot size chart should give you an idea of what the different camera shots look like.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-6352\" src="\&quot;https:\/\/artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Shot-sizes-chart-1-1.png\&quot;" alt=\"shot sizes chart\" width=\"800\" height=\"500\" srcset=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Shot-sizes-chart-1-1.png 800w, https:\ \ new-blog.artlist.io\ blog\ wp-content\ uploads\ 2022\ 04\ Shot-sizes-chart-1-1-300x188.png 300w, https:\ \ new-blog.artlist.io\ blog\ wp-content\ uploads\ 2022\ 04\ Shot-sizes-chart-1-1-768x480.png 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \ /><\/p>\n<h3>Extreme wide or extreme long shot (EWS\/ELS)<\/h3>\n<p>Extreme wide or extreme long shots are frequently used as\u00a0<a href="\&quot;https:\/\/artlist.io\/blog\/establishing-shot\/\&quot;">establishing shots<\/a>. With a high ratio of location to subject, they set the scene and provide context for the audience. They can also be used to suggest the isolation of your subject, unfamiliarity with the location, or give a feeling of being overwhelmed or distant.<\/p>\n<p>Here the environment is very much a driver in the story.<\/p>\n<p>And in this scene from\u00a0<em>The Power of the Dog<\/em>, the sprawling scenery is just as much a character as the people<\/p>\n<p><iframe class=\"giphy-embed\" src=\"https:\/\/giphy.com\/embed\/mQcW3RTaBKEq1QVKHT\" width=\"800\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><a href=\"https:\/\/giphy.com\/gifs\/netflix-movie-the-power-of-dog-mQcW3RTaBKEq1QVKHT\">via GIPHY<\/a><\/p>\n<h3>Wide shot or long shot (WS\/LS)<\/h3>\n<p>A wide or long shot usually shows your subject from top to toe, although they won\u2019t fill the frame completely. However, there is still plenty of background included in the shot to give context, set the scene and show your subject\u2019s place in the world of your film.<\/p>\n<p>This shot doesn\u2019t just show these boys playing football, but where, too.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391670?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>This wide shot from\u00a0<em>West Side Story<\/em>\u00a0is all about dancing in the street in America:<\/p>\n<p><iframe src=\"https:\/\/tenor.com\/embed\/24092336\" width=\"800\" height=\"500\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h3>Full shot (FS)<\/h3>\n<p>The full shot shows your subject head to toe and filling the frame. The emphasis in full shots tends to be on activity and action rather than on emotion.<\/p>\n<p>This starts as a full shot but shifts to more of a long shot. The emphasis is on movement and dynamism.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391473?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Costumes were a major player in Cruella, which means it contained lots of full shots, like this one:<\/p>\n<p><iframe src=\"https:\/\/tenor.com\/embed\/20410154\" width=\"800\" height=\"500\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>But the intensity of Estella\u2019s character change gives lots of opportunities for close-ups, too.<\/p>\n<h3>Medium wide or medium long shot (MWS\/MLS)<\/h3>\n<p>A medium-long shot, or a medium-wide shot, or a \u00be shot, comes somewhere between a full shot and a medium shot. It shows someone from the knees upwards.<\/p>\n<p>See how this shot is mostly knees-upwards?<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/695354708?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>This medium-wide shot from\u00a0<em>Django Unchained<\/em>\u00a0also makes use of the low angle show to add power to the character<\/p>\n<p>&nbsp;<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/youtu.be\/ks6UPNad3dg?t=238\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/ks6UPNad3dg?start=238&amp;feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<h3>Cowboy shot (CS)<\/h3>\n<p>A cowboy shot is a variation on the medium shot. It\u2019s just a little longer than a medium shot, enough to be able to include a gun holster in the shot, and came from Westerns in the 30s and 40s.<\/p>\n<p>This shot includes the hips as well as the waist to show where a gun would be slung in its holster.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391640?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Coming from hip-level, this cowboy shot isn\u2019t from a Western, classic or modern, but from\u00a0<em>Fight Club<\/em>:<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-large wp-image-6353\" src=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Fight-club-cowboy-shot-1-1024x711.jpg\" alt=\"fight club cowboy shot size\" width=\"1024\" height=\"711\" srcset=\"https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Fight-club-cowboy-shot-1-1024x711.jpg 1024w, https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Fight-club-cowboy-shot-1-300x208.jpg 300w, https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Fight-club-cowboy-shot-1-768x533.jpg 768w, https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Fight-club-cowboy-shot-1-1536x1067.jpg 1536w, https:\/\/new-blog.artlist.io\/blog\/wp-content\/uploads\/2022\/04\/Fight-club-cowboy-shot-1.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h3>Medium shot (MS)<\/h3>\n<p>A medium shot shows your character from the waist upwards. This type of shot allows you to convey emotion and character but still includes the environment. Medium shots are good for conversations and feel very much like a staple in the filmmaking world.<\/p>\n<p>This medium shot is the perfect means to capture the tenderness between mother and baby.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391519?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>In this scene from\u00a0<em>Licorice Pizza<\/em>, Alana Haim is shot with a medium shot, while Cooper Hoffman is shot with a medium close-up, enhancing Alana\u2019s uncomfortableness:<\/p>\n<div class=\"mceNonEditable embeditem\" data-embed-url=\"https:\/\/www.youtube.com\/watch?v=WJdm7UBv0no\" data-embed-height=\"384\" data-embed-width=\"800\" data-embed-constrain=\"true\"><iframe src=\"https:\/\/www.youtube.com\/embed\/WJdm7UBv0no?feature=oembed\" width=\"683\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<h3>Medium close-up (MCU)<\/h3>\n<p>When you frame someone from the chest or shoulders up, it\u2019s a medium close-up. This is another type of camera shot that can be used to connect the subject to the audience and be used to communicate emotions.<\/p>\n<p>This medium close-up contains plenty of emotion, but context, too.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391377?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>This medium close-up from\u00a0<em>Cruella<\/em>\u00a0combines emotional intensity with a hint of background:<\/p>\n<p><iframe src=\"https:\/\/tenor.com\/embed\/21151854\" width=\"800\" height=\"500\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h3>Close-up (CU)<\/h3>\n<p>A\u00a0<a href=\"https:\/\/artlist.io\/blog\/the-power-of-the-close-up-shot-why-when-and-how-to-use-it\/\">close-up shot<\/a>\u00a0is tightly framed and fills the frame with a subject\u2019s face. This type of shot is used to capture details and reactions in your subject as well as reveal their emotional state. Remember that a close-up doesn\u2019t have to be of a person. It can be of an object or motif that is somehow significant to or symbolic of the story you\u2019re telling.<\/p>\n<p>This close-up allows you to engage with the subject.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391585?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>These close-up shots from\u00a0<em>The Good, the Bad and the Ugly<\/em>\u00a0really convey each character\u2019s state of mind during their mexican standoff<\/p>\n<p><iframe src=\"https:\/\/tenor.com\/embed\/24301314\" width=\"800\" height=\"500\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h3>Extreme close-up (ECU)<\/h3>\n<p>If close-up shots are intense, extreme close-up shots are extremely intense. They usually focus on a closely cropped area of your subject\u2019s face\u2013for example, the eyes, nose and mouth. They are used to emphasize emotion, often without the subject having to say much or even anything at all. Extreme close-ups are powerful narrative devices and can be used to direct your audience to important points within the story.<\/p>\n<p>With the emphasis on the eyes, this is an intense image.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/694391438?muted=1&amp;autoplay=1&amp;loop=1&amp;autopause=0\" width=\"800\" height=\"384\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>During the same Mexican standoff in\u00a0<em>The Good, the Bad and the Ugly<\/em>\u00a0tensions reach their peak when the shots turn to extreme close-ups.<\/p>\n<p><iframe class=\"giphy-embed\" src=\"https:\/\/giphy.com\/embed\/3o7btSHUTdraHEsx0Y\" width=\"800\" height=\"364\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><a href=\"https:\/\/giphy.com\/gifs\/rocketjump-rjfilmschool-3o7btSHUTdraHEsx0Y\">via GIPHY<\/a><\/p>\n<h2>Wrap-up<\/h2>\n<p>By combining different camera shots with various\u00a0<a href=\"https:\/\/artlist.io\/blog\/camera-angles\/\">camera angles<\/a>, filming techniques and\u00a0<a href=\"https:\/\/artlist.io\/blog\/camera-movements\/\">camera movements<\/a>, you give yourself an array of narrative tools that bring your story to life. It allows you to engage your audience and make them relate to your characters more meaningfully. For example, you can use a\u00a0<a href=\"https:\/\/artlist.io\/blog\/how-to-use-the-dolly-shot\/\">dolly shot<\/a>\u00a0to gradually bring your audience closer to your subject, highlighting and intensifying their emotions as you do so.<\/p>\n<p>A\u00a0<a href=\"https:\/\/artlist.io\/blog\/how-to-master-the-handheld-camera\/\">handheld camera<\/a>\u00a0shot can create a sense of urgency or intimacy that you don\u2019t get otherwise. Think about what you\u2019re trying to say with your story and build your shot list to support and enliven it. It\u2019s amazing how getting in a bit closer or taking a few steps back will change how your audience interacts with your characters. Go experiment with different shot types in film and see their impact.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From very far away from your subject to very close, there are many different shot sizes you can use to tell your story. Let\u2019s have a look.<\/p>\n","protected":false},"author":2,"featured_media":6349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[216,251],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Different Types of Shot Size: A Beginner&#039;s Guide | Artlist<\/title>\n<meta name=\"description\" content=\"From very far away from your subject to very close, there are many different shot sizes you can use to tell your story. 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