{"id":6437,"date":"2022-03-16T12:16:46","date_gmt":"2022-03-16T12:16:46","guid":{"rendered":"https:\/\/new-blog.artlist.io\/?p=6437"},"modified":"2024-01-10T11:48:10","modified_gmt":"2024-01-10T11:48:10","slug":"how-to-import-video-to-final-cut-pro","status":"publish","type":"post","link":"https:\/\/new-blog.artlist.io\/blog\/how-to-import-video-to-final-cut-pro\/","title":{"rendered":"FCPX for Beginners: How to Import Files to Final Cut Pro"},"content":{"rendered":"

Final Cut Pro X is an extremely attractive NLE choice for editors of all levels of experience, with a competitive cost ($299 with updates for life) as well as a feature-rich and user-friendly workspace. However, if you’re new to the program, and especially if you’re coming from a different editor, the workflow can feel pretty unfamiliar from the get-go. In this article, we’ll look at overcoming your first hurdle – how to import video to final cut pro. Along the way, we’ll clarify some terminology that will help your FCPX editing experience as a whole.<\/p>\n

Final Cut Pro X terminology<\/h2>\n

If you’re coming from an NLE like Premiere Pro, you’ll probably find yourself scratching your head the minute you open up Final Cut Pro X for the first time. Here, Projects are called Libraries<\/em>, sequences are called Projects<\/em>, there’s a lot of talk about Events<\/em>, and the use of bins has been\u2026 well, binned.<\/p>\n

Instead, Apple wants you to rethink the editing terminology used since the analog days and start using terms more fitting to a digital post-production workflow<\/a>. Like it or loathe it, it’s different. So before breaking down the workflow for importing footage, let’s get the jargon straight to avoid confusion later.<\/p>\n

\"final<\/p>\n

Final Cut Pro X uses a hierarchical structure when it comes to organizing your workspace, and there is flexibility in how you decide to utilize the different levels of that hierarchy. As the image above demonstrates, the highest level of your organizational structure is your Library<\/em>, followed by Events<\/em>, and those Events <\/em>can hold both assets (raw footage, audio, images, etc.) and Projects (unique timelines). Once we grasp the purposes of Libraries<\/em>, Events <\/em>and Projects<\/em>, we can better understand the approaches you might take to organization during the import process.<\/p>\n

Library<\/h3>\n

Think of your Library<\/em> as like a master folder, inside of which you will find everything you need for the video you’re working on. Even though FCPX will let you take assets from one Library and bring them into another for editing, it duplicates those assets across so that your Project never needs to span over multiple Libraries.<\/p>\n\t\t

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Events<\/h3>\n

Events are essentially sub-folders inside your Library that you can use to organize your assets and Projects however you see fit (so Premiere Pro users out there, Events are basically bins). For example, you can choose to bring together all assets (audio, video, images, music etc.) into a single Event alongside your Project. Or, you can group your assets and Projects in any way that makes sense to you, such as by kind.<\/p>\n

Projects<\/h3>\n

As you might have already gathered, Projects are unique timelines or sequences. Depending on the nature of your edit, you may create multiple Projects per deliverable (such as a rough cut, fine cut and final cut of a film) or just a single Project for simple jobs. In any case, these Projects live inside Events just as your assets do.<\/p>\n

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As I mentioned earlier, there is flexibility in how you use the structure Final Cut presents you with. Depending on your approach to editing, you might want to use one Library with one Event which contains one Project and all your assets. Alternatively, you could create a Library to organize multiple related deliverables and devote an Event to each. For example, you could have 1 Library for all your YouTube videos and 1 for all your client work. Be aware, however, that large Libraries can slow down your editing experience significantly.<\/p>\n

What I would personally recommend is creating a Library for each new deliverable, using Events to group assets by kind, then creating multiple drafts of your edit within a dedicated Event for Project. The other benefit of this approach is that it can help you take advantage of your pre-existing file management within Finder.<\/p>\n

\"how<\/p>\n

Importing footage workflow<\/h2>\n

Now that the jargon is out of the way, let’s look at the specific workflow of importing footage into Final Cut Pro X and making the best use of the Library\/Event\/Project system.<\/p>\n

1. Organize assets in Finder<\/strong><\/h3>\n

If you’ve read my other blog posts, you’re probably tired of hearing me go on about how important it is to organize your assets. But having said that\u2026 it’s really important, you guys. If you want to read more about how and why, take a look at my article about organizing your video files<\/a>. For the time being, however, the basic principle is to have a master folder for each new deliverable, within which all required assets can be found. These should then be further organized into sub-folders according to kind (e.g., raw footage, audio, exports, etc.).<\/p>\n

\"final<\/p>\n

Once you have something a little like this, it’s time to open up Final Cut Pro X.<\/p>\n

2. Create an appropriate organizational structure within FCPX<\/h3>\n

As explained earlier, there’s more than one way to crack an egg (with the egg, in this case, being an acceptable Final Cut Pro X organizational structure). It will really depend on your own approach and the complexity of your edit. As long as all your assets are organized in Finder, and you import from there, you’ll probably get on fine. And even better if you use Final Cut Pro X’s “Smart Collections,” which automatically attempt to organize your assets upon import.<\/p>\n

Regardless of your own method, it will always involve creating a Library, so to kick things off, you will click File > New > Library<\/strong>.<\/p>\n

\"final<\/p>\n

At this point, you will be prompted to name the Library and save it somewhere, which is best done within your master folder in Finder, ideally in a sub-folder of its own.<\/p>\n

\"how<\/p>\n

From this point, you can begin to create Events, which involves right-clicking within your Library and selecting “New Event” or clicking File > New > Event. You may have your own way of doing things from this point; however, I will show you the way I recommend, and you can take from it what you like. I simply create a list of Events that replicates the base folder structure of assets I create within Finder. In most cases, this will mean one Event for Raw Footage, one for Audio and one for Projects, at the very least.<\/p>\n

\"how<\/p>\n

If your file management in Finder has been quite thorough, you may even have further categories within those folders (e.g., by a-roll and b-roll<\/a>, locations or scenes). If this is the case, you can bring all those folders directly into the Event, and Final Cut Pro X (as we’ll discuss in the next stage) will maintain your organization using keywords.<\/p>\n

Import options (click-and-drag vs. import window)<\/h3>\n

There are 2 main methods of importing your assets into Final Cut Pro X. The first is simply to click and drag assets from Finder into their corresponding Events. The second is to import footage by opening an import window and making selections from there. Let’s get into these methods in more detail.<\/p>\n

Click-and-drag method<\/h3>\n